Brighton White Night 2010

Brightonians don't exactly take much persuading to dress up and stay out all night at the best of times, but for the last few years White Night has given us an offical excuse to celebrate the art of noctural recreation. A free festival that takes place across the city, White Night marks the clocks going back and celebrates the extra hour we get, by encouraging people to stay up and participate in all sorts of activities throughout the night.

I've been away for White Night the last few years and so this year's was my first one. The city was buzzing anyway with Halloween antics, and the massive Beach of the Dead walk that also happens every year got everyone into the spirit early in the day. By nightfall there was an amusing mix of ordinary punters, gruesome zombies and other ghoulish Halloweenites lining the streets. My first glimpse of White Night activity was as I turned into the North Laine to spy an opera singer belting out from the balcony above the betting shop on the corner of Bond Street. Unfortunately I missed a later performance in that same spot, reported by SessionLeopard on Twitter: "Brighton... where else can you watch a black drag queen dressed as a cloud singing barbara streisand above a betting shop?". Shame, but there was so much else to do.

My first proper stop-off was at the Brighton museum, which involved wending my way through the Pavilion Gardens, where little pockets of action were afoot all over the place. Inside the museum it was pretty much business as usual, apart from a few crafty making sessions and the presence of some willowy ladies in period clothing draped about the place. It did make me giggle to see zombies wandering about soaking up culture, but I drew the line at a man dressed as a spiderman clown and escaped to go and meet Steve and Linda at the Pavilion garden gates.

From there we decided to head for the Sealife centre, where I was utterly enchanted by the huge turtles and tiny seashorses. Not so endearing were the drunken youths flagrantly ignoring the 'please don't touch the fish' signs and whose behaviour was later reported to have started a riot. Things were altogether more civilised at the Library and though outside on Jubilee Square was heaving, the live spray paint artists there were well worth a stop. Inside, we had a play on a big dance mat that was wired up to a percussion loop programme, and enjoyed the relative calm before heading back out into the throng.

Kensington Street was another hive of activity, with both the Lighthouse and the Basement open for business and a  multimedia installation called the Epiphany Dome outside. After a heavy dose of art, we were ready for some music, but not before swinging by Infinity cafe to re-fuel with soup hearty soup in a roll. At the Corn Exchange, a French music showcase was in full swing, but surprisingly there were no queues for the venue. Amiens in France also has a White Night (or Nuit Blanche as they call it) and our towns do a musical exchange for the night. When we arrived, a band called Oregone were playing. I had a little dance around and then spotted Ewan (aka Euzie) at the bar.  It transpired that he and Linda both grew up in Wolverhampton and used to hang out in the same pub. Much disbelief and delighted cries of "you know so-and-so? No way!" ensued.

Next door in the Dome there was nothing much happening other than some pumping dance music and a couple of interactive installations. The night was flying by already and by the time we got down to the beach, the Bandstand happenings were dying down, with only a few half marathon runners straggling about. Walking back along the prom, we gained another cohort in the shape of Rob, who accompanied us up through the Lanes and eventually up to the Phoenix Gallery, which was one of the only places still going. By then the clocks had officially gone back, we'd gained our extra hour and I had completely lost track of what time it actually was.

A quick hot chocolate at the buzzy Cafe Moksha - where live music was still going  on - made a very civilised end to the evening (or should I say, morning). My first White Night had been a riot (though thankfully not in the Sealife centre sense), but it was time for bed.

Sussex Gastro Pub Series: The Ginger Dog in Kemp Town, Brighton

On those rare Saturdays when we haven't got anything much on, Ant and I will usually find ourselves a-wandering down the hill to Kemp Town for a mooch - perhaps picking up a paper and grabbing a coffee in Spinelli's, indulging in a haircut and some people-watching at Barber Blacksheep, browsing the shelves of the Kemp Town Bookshop or picking up indulgent foodie supplies from Bona Foodie or Kemp Town Deli. More often than not, we'll end up still knocking about at lunch time and grabbing a meal at one of the many pubs or cafes in the village. 

On our last one of these perambulations a week or so ago, we discovered a new addition to the Kemp Town gastronomical circuit, which has popped up where the not-so-glamorous Wellington pub once was. The latest addition to the 'Gingerman' local restaurant chain (which includes the original Gingerman restaurant, The Ginger Pig and The Ginger Fox), The Ginger Dog is tucked away on College Place, sat between The Golden Cannon and (our favourite local) The Barley Mow on the Kemp Town pub trail. Having heard good things about the other Gingerman restaurants, we were chuffed to find one practically on our doorstep and decided to give it a try.

With its muted buff walls, rustic mis-matched chairs and funky artwork, the newly decorated interior certainly looked the part of a trendy gastro pub and the friendly staff were a vast improvement on the pub's previous incarnation. Not wanting to spoil our afternoon by being over-stuffed, and still having a big hill up which to scamper, we both decided on sticking to starters, along with an extra portion of chips (just in case). I had a goats cheese and baby onion gratin, which came with a slab of griddled bread (ciabatta I think) and a salad garnish, Ant went for the salmon tartare - something he'd never sampled before. Both of us were happy with our choices, which were nicely presented and beautifully cooked. The chips were the icing on the cake, perhaps the most perfect pub chips I've had - lightly crispy on the outside, fluffy on the inside, not too greasy - and a vast improvement on the awful ones we'd been served at the Open House the week before.

All in all it was a delightful, if rather indulgent, Saturday lunch and I'm looking forward to going back for the full three-course experience one evening before too long.

The Fifth Great Escape Festival, Brighton 2010

We've been going to Brighton's own Great Escape festival ever since it started back in 2006. It's been a brilliant way to keep up with all the latest breakthrough bands and pack in a load of gigs early on in the year without having to rough it in a tent. Not that I mind roughing it in a tent one bit, but the prospect of sleeping in his own bed means that Ant will join me a lot more willingly. Some of the excellent bands that we first discovered at previous Great Escapes include Foals, GaBLé, zZz, The Low Anthem (wow, that was an amazing gig), John & Jehn, Black Mountain and Benni Hemm Hemm to name but a few.

This year's Great Escape festival was, I am sad to report, something of a disappointment. Our overall enjoyment was somewhat hindered by Ant's unfortunately timed man-flu attack, but regardless of that, I felt it was a less than inspiring line-up. After an excellent start with so-French-it-hurts electro-cheese-meisters Chateau Marmont, we seemed to wander from gig to gig, struggling to tell the difference between a string of identikit babyfaced Sixth Form Indie bands with only a single melody between them. It wasn't until Saturday that things started to improve and the festival really redeemed itself for me.

An Emerald City © by Rowstar on Flickr

Braving the seedy environs of the Freebutt to see The Bewitched Hands on the Top of Our Heads on Saturday afternoon, I finally felt like I was onto something a bit different. Jangly psychedelic retro-pop with the occasional touch of Arcade Fire urgency, it was a breath of fresh air after all the bland Indie crap. Later that evening in the atmospheric setting of the Basement, we swayed along appreciatively to the pleasing Bolly-prog sounds of Kiwi newbies An Emerald City; I must give a special mention to the bassist whose multipurpose cape-come-guitar-strap was a visual highlight of the festival. These were followed on stage by the equally esoteric but slightly less versatile antipodeans Bridezilla, who took a while to get going but really rocked out towards the end when the free-jazz style fiddle and sax element really came into its own.

Trembling Bells © by Rowstar on Flickr

From the Basement we strolled over to the Pavilion Theatre (why is it always so hot in there?) to catch the excellent Trembling Bells (who I first discovered on Freakzone) and couldn't help but smile at the conspicuous absence of hipsters in attendance - a most unusual situation for the UK's most skinny-jeaned, wayfarered festival. Presumably it's not cool to like Folk music and Trembling Bells are undeniably Folk, carrying on the tradition of bands like Fairport Convention and The Incredible String Band, but with an intriguing 21st Century flourish. It felt somehow fitting to finish the festival in the more familiar company of middle aged men and floaty hippy chicks, so we called it a night after that and left the clubbing and after-parties to the young-uns.

Although I shan't be living in Brighton come next May (more on that later), I expect I'll still come over for Great Escape 2011. 2010's offerings may not have been the best compared to previous years, but at £35 for the three days (with the early-bird ticket price), getting even four or five decent gigs out of it seems like a bargain. And it'll be an excuse to stay in a groovy Brighton B&B, which is not something I've ever done. If you were at the Great Escape this year and had a better experience, let me know - what brilliant bands did I miss? where was all the action? And most importantly, who had the pointiest shoes?

Most of the bands I really liked at the Great Escape Festival don't have commercial recordings available as yet, so you'll have to explore their MySpace pages to get a listen. I've made a little playlist here.

The Grand Glee Finale: End of Act One

Warning: Luvvie Alert (if you have have an aversion to campery or showbiz of any kind, you may as well stop reading right now. If however you are fond of a showtune or two, or like me, are a fan of Glee, welcome to the party...)

Since I first raved about it back in January, Glee has become my only must-watch TV show (oh, OK, there's Mad Men too), providing wry satire and sparkling musical entertainment every Monday night, which, I think you'll agree, is just what Mondays needed. Like any long-running series, it's had its occasional 'nothing much is happening this week' episodes and a few ill-conceived or just plain vomit-inducing musical numbers. But on the whole it's been first-rate.

We've followed the ever more complicated fates of a group of High School misfits and their equally troubled teachers as they prepare for Glee Club sectionals, an inter-school musical performance competition traditional in America. We've wondered who will end up with who, whether the club will survive its many slapstick bust-ups and whether they will make it through to the next stage of the competition.

There's decent eye-candy in the form of mohicaned bad-boy Noah 'Puck' Puckerman (or pretty boy Finn Hudson if that's your thing), but the undisputed comedy star of the show is cranky sports teacher and cheerleader coach Sue Sylvester, whose cutting one-liner comebacks are legendary. My favourite from this week's episode: "You'll be adding revenge to the long list of things you're no good at, right next to being married, running a high school glee club and finding a hairstyle that doesn't look like a lesbian." Genius.

The highlight of each episode for me is invariably the big showstopper number, generally performed by the group or two main characters in the midst of a poignant storyline. The episodes that fall flat are always those in which they get the showstopper wrong. Thankfully for the mid season finale this week, they got it very very right with a magical rendition of 'Don't Rain on My Parade' from Funny Girl:

As someone who performed in many musicals as a youngster and harboured aspirations towards professional singing, I was right there with (the talented but irritatingly fame-obsessed) Rachel as she stole the show at the Glee Club competition sectionals. Her heartfelt performance perfectly encapsulated the hunger and drive I so vividly remember experiencing as a teenager treading the boards; it was thrilling, infectious and rousing - bringing back a rush of teenage yearnings.

Both Ant and I have been humming the tune ever since and going back to watch this video of said performance to re-experience the tingling sensation all over again. It was so powerful that I can't even recall what the other songs in the episode were. Now that's what I call showbiz.

If you are still reading and have yet to experience Glee for yourself, you can catch up on the last few episodes via 4oD, or order the DVD from Amazon.

Twestival Strikes Again

Have you heard about Twestival? It's a global Twitter meet-up that happens every six months or so in hundreds of cities around the world.

At the first Twestival a year ago, I didn't really know anyone except my other half (aka @meeware) and my then brand new boss (aka @rogerwarner) - whose presence ensured that I remained sober and sensible for the duration. It all felt a little cliquey but I met a couple of cool people and it led to some fruitful online conversations in the following months. I did a little write-up of Twestival 1 on the Content & Motion blog if you're interested.

Twestival 2 was a whole different kettle of fish. @meeware was away and I'd ditched the 'no drinking in front of the boss' policy. There were quite a few more familiar faces, if only recognisable from their Twitter avatars. There was role play and murder mystery which really broke the ice and got everyone out of their cliques. 

After an excellent night of non-stop ranting and a fair bit of dancing, I ended up at the infamous Bulldog pub (of all places) until four in the morning with a gaggle of hardcore Twitter reprobates. Classy. The picture on the right (by Clive Flint) shows me pulling a classic "I'm not at all drunk, oh no, not me" face, about half way into the evening. Thank goodness there are none from later in the night.

Tomorrow night (Thursday 25th) it's time for Brightwest 3, I'm going with a whole crew of recently converted Twitter cohorts and am all set to DJ - I just hope the Brighton Twitterati are ready for my eclectic selection. This time there's a Speakeasy theme and we're being encouraged to dress up, as if I needed persuading.

As always, the proceeds all go to charity and loads of fabulous goodies have been donated for an auction and  'Twombola'. So if you're a Brighton Twitter person, or even a Brighton non-Twitter person who'd like to see what all the fuss is about, you should definitely come along. Tickets are available online or at the door. Here's a map, too, just in case you get lost. If you're a non Brightonian reading this, you can find your nearest Twestival via the official website. Come on, it'll be fun.

Thomas Truax Gig in Brighton

Ever since I discovered him at a Freebutt gig around this time last year, I've been raving about Thomas Truax, the eccentric one-man band with a penchant for weird homemade instruments. If you read my Great Escape 2009 write up or a recent post on the zombie music video shoot, you might be forgiven for thinking I was stalking him. You might even be right. He's one of those performers who taps right into my own personal madness and throws something even stranger back. Here's a little taster:

Thomas Truax Prove It To My Daughter

Uploaded by WowtownTV. - Watch more music videos, in HD

If, like me, you're game for a bit of oddball entertainment, you should get yourself down to the Freebutt in Brighton on Friday night, where Thomas Truax is playing again, along with Woodpecker Wooliams and Dug Champion. I'll be there, come and say hello. Londoners can also catch Thomas at the next White Mischief event on 27th March.

Watch this space for more gig recommendations coming soon.

Tunng Live and Acoustic At Resident Records

One of the nicest things about living in Brighton is that there's never a shortage of happenings, even on a Monday night. Admittedly it's rare that I make the most of Mondays, being content to crawl under a blanket on the sofa and watch a DVD after a hard day at work. But this week I broke the mold and accepted an invitation (thanks Steve) to see Tunng do an acoustic set at Resident Records in honour of their latest album release, And Then We Saw Land.

If you've never been to Resident, picture a small shop with a big shelving unit right down the middle and space at either side filled with Brighton hipsters, music lovers and middle class culture junkies (I won't tell you which cliche I consider myself to be). A pared down version of the band, minus drummer and usual array of percussive accoutrements, shuffles into the narrow space in front of the till and warns the excited crowd: "this might be a bit quiet". In fact it is the perfect volume - thanks to the fact that it's one of those polite occasions where people refrain from talking during the set; if only the same could be said for all Brighton gigs.

Having seen the full Tunng line-up live at Green Man Festival in 2007, I wondered how they'd come across without the trademark twiddly electro tinges, but actually the softer folkier sound of an unplugged performance suited them. I found myself swaying along and drifting away as they played mostly songs from the new album. Even the little tiny baby next to me (who, I should point out, was accompanied by its mother) seemed rapt throughout and hardly even squeaked. It was a jolly lovely start to the week and a pleasant change from the usual Monday night torpor. I must remember to make the most of Mondays more often.

Find Tunng on MySpace or buy the new album on Amazon:

Doing Our Bit: A Haiti Fundraiser Event

Last Thursday I dusted off the camera kit for my first photography gig of 2010, a charity fundraising night organised by a gang of Brighton music promoters and community groups in aid of the Haiti earthquake emergency appeal. 

Despite the torrential weather, hoardes of revellers showed up to support this great cause and dance the night away to some of Brighton's grooviest bands. The performers, who all donated their time for free, included Manouchska, The Fat 45, Pollito Boogaloo, Kalakuta Millionaires, Fanfara and Nhasitafara.

There was a real festival atmosphere in the air as the packed venue buzzed with frantic dancing and feelgood factor from 8pm til 2am (and on a school night, too).  When bands weren't playing, there were DJs in every room, spinning everything from the Star Wars cantina theme to swinging Rock n Roll. I was in my element, capturing the action both on stage and on the dancefloor and throwing a few moves of my own at the same time. You can see the results of my efforts here in this slideshow, which is also available on Flickr.

As well as snapping away all night, I was also playing the part of intrepid reporter, interviewing unsuspecting punters, promoters and artists for the official video of the night (currently being edited together by filmmaker, Scott Lawson). All in all it was a super night, which raised nearly £3,000 for the Disasters Emergency Committee Haiti Appeal. A big slap on the back to all the performers and organisers who made it happen, not to mention the punters who dug deep and partied hard to make it go off with a bang.

If you couldn't make it along last Thursday, but would like to do your bit for Haiti, you can donate online here.

Leaving January Behind with Glee

I don't know about you, but I can't wait for January to be over and done with. It's not been a bad month exactly, just a completely uneventful and torpid one; I've barely socialised since New Year's Eve and what with the bank balance recovering after Christmas excesses, there hasn't even been a decent retail therapy session to perk me up. The most exciting thing to happen was the snow and even that turned out to be a royal pain in the arse once the initial novelty wore off. But now as the first month of the year draws to a close, the invitations are starting to trickle in for February and March, giving me something more diverting to look forward to and I am willing away the last dreary days.

There really has been so little going on these past few weeks that I've been carving through the DVD box sets (24 series 6, Six Feet Under series 3) at an unprecedented rate and even getting hooked on current TV shows - like the outstandingly entertaining Glee. For most of the year I barely turn on the TV except to watch films and haven't been bothered enough about anything lately to get into watching it religiously, but for Glee I make an exception. On first glance you might presume it to be a schmaltzy High School Musical wannabe, but actually it veers much more towards being a parody of such cheese-fests. To me it is also enormously nostalgic, since I was a member of the UK equivalent of High School Glee Club and the politics and histrionics take me right back. Even Ant, who is not a fan of musicals or American teen drama, is enjoying it immensely. If you have yet to catch on, you can catch up via 4oD - it's well worth it, honestly.

While we're on the subject of TV highlights, this week saw the return of the glorious Mad Men - an altogether different, but equally compelling affair. I have yet to watch episode one and am dying to discover how things will pan out following season 2's tumultuous ending. Will Betty take her incorrigible gigolo of a husband back? Will the frocks be even more fabulous than last series? Who will have an affair with who? How will I ever cope with having to wait a whole week between episodes? In fact I'd better stop writing and settle down for my fix right now. See you in February, when I will hopefully have more to talk about than what's on the box.

2009 in Photographs

The Christmas festivities are over, the New Year hangover subsiding. I'm thinking back over 2009 - a year of highs and lows, adventure and discovery - and looking ahead to 2010. While the memories are still fresh, I have chosen my favourite photographs from last year, which you can see below. What I love most about these snaps is that everyone in them looks so genuinely happy - there's not a forced photo-smile to be seen. I am very lucky to be surrounded by so many vivacious, passionate people and I look forward to spending more happy times with them all this year. A joyous and fruitful New Year one and all.

All the photos in this slideshow are from my Flickr stream. Come on over and see more: www.flickr.com/photos/rowstar

Avatar: Utterly Ridiculous, Gloriously Entertaining

Star Wars, Star Trek, The Matrix - where would we be without silly sci-fi films to transport us away from the monotony of daily life into another dimension? Certainly it is one of my favourite things to sit in a cinema with spaceships flying towards me, losing myself in unfeasible plots and wondering whether it's wrong to fancy weird looking aliens.

I didn't know much about Avatar before we went to see it - only that it had cost a shedload of cash to produce and had been 15 years in the making. I'd seen a few snippets of willowy blue people with bows and gung-ho American soldiers brandishing guns, but that was about it.

Ant decided that we should go for his birthday, even though he was intent on hating it. I was actually looking forward to it, especially the fact that it was in 3-D. In the end we both loved it for all its gloriously overblown Hollywood silliness. It had spaceships, it had half naked aliens, it had clear cut goodies and baddies, it had romance. It also had summer season style UV garishness and the most obvious, flaky plot ever - but that's beside the point.

Unlike Ant, I didn't want to sit and pick holes in Avatar, I wanted it to excite and amaze me - and was quite prepared to turn a blind eye to its flaws in order to be utterly swept away in a sea of fantasy escapism. If you are out for cerebral stiumlation and astute observation, Avatar is not the film for you. If, like me, you just want to be entertained - don't miss the chance to see it on the big screen in 3D. It is truly a spectacle to behold.


Official Avatar Movie

The Giant Jaffa Cake: Recipe and Philosophy

Inspired by my friend Madame Jo Grey's impressively accurate giant French Fancy (baked for her daughter's 2nd birthday last year), I decided to attempt a similar feat with the humble jaffa cake. Like most sweet-toothed Brits, my other half Ant is a big fan of the jaffa cake and I loved the idea of presenting him with a home-baked giant version for his birthday. After much pondering and a little online research, I settled upon the method below - a mixture of existing recipes, intuition and my own invention. I was rather pleased with the result, which you can see pictured here (next to a standard jaffa cake to demonstrate scale).

The Giant Jaffa Cake was served at Ant's birthday party last night and became the subject of much admiration and discussion as it sat waiting to be eaten all evening. But the proof is in the pudding as they say, and I am happy to report that there was a big thumbs up all round from our guests, who scoffed the lot enthusiastically within minutes of it being cut.

Giant Jaffa Cake Recipe

Equipment & Ingredients

• Wok or large curved frying pan (make sure this will fit in the oven), lined with greaseproof paper
• Curved breakfast plate or shallow dish
• Note: the wok/frying pan is to make the base and the plate will be the mold for the jelly, so make sure the two are the right proportions in relation to each other to create a convincing jaffa cake.

For the jaffa cake base:
225g unsalted butter
225g caster sugar
1 teaspoon vanilla extract
4 large eggs
200g self raising flour
25g cornflour

For the jaffa cake topping:
Jar of shredless marmalade
Packet of orange or tropical fruit flavoured vegetarian jelly crystals (available from any good healthfood store)
150ml double cream
1 teaspoon vanilla extract
1 teaspoon unsalted butter
150g dark chocolate, broken into small chunks

Method

Preheat the oven to 180〬c/gas mark 4

Cream the butter and sugar together, by hand or in a mixer, until light and fluffy. Add the vanilla and then the eggs, one at a time. As spoonful of flour between eggs will stop the mixture from curdling. When well combined, add the rest of the flour and the cornflour and finally a little milk to bring the mixture to a sticky batter consistency.

Pour the mixture into the lined frying pan or wok and check after 25 minutes. Use a cocktail stick to see if it is cooked through - if it comes out with cake mix on it you'll know it's still raw in the middle and will need to give it a bit longer. When's it's done it should look golden brown and feel springy to the touch. At this point, remove from the oven and leave in the wok on a rack for 10 minutes or so before carefully turning out the cake to cool completely.

Meanwhile, make the jelly using half the amount of recommended liquid. Because I could only find tropical flavour vegetarian jelly, I made it up with a mixture of orange juice and water (boiled together). Add a dollop of orange marmalade to get that extra tanginess and mix with a fork until everything has dissolved. Pour into the plate or shallow dish, leave to cool then put in the fridge to set.

When both bits of the giant jaffa cake are cool, carefully slice the top off the cake to make a flat surface for the jelly. Mix a tablespoon of marmalade with a little freshly boiled water to make a paste. Brush this onto the centre of the cake where the jelly will go and leave to go sticky. Now comes the tricky bit. Carefully lift the cake and turn it upside down, lowering onto the plate of jelly. Holding both bits together firmly, turn the cake back over and hopefully the jelly will come loose. You may need to do a little adjusting to get it to sit centrally on the cake.

And now for the chocolate topping. Rather than using unadulterated melted chocolate - which is difficult to spread neatly and may melt the jelly - I prefer to use a ganache icing, which goes on cool and is much easier to spread. Pour the cream into a heavy bottomed saucepan and add the vanilla, butter and chocolate. Bring to the boil, agitating as you go to stop the chocolate pieces clumping. As soon as the chocolate has melted, remove from the heat and whisk until thick and glossy.

Allow the icing to cool for 10 minutes or so, whisking occasionally to keep it smooth and making sure it doesn't start to set. Using a spatula or palette knife (I use the scraper that came with my Kenwood Chef), dollop the icing onto the cake, starting at the top of the jelly and spreading around evenly, working your way down in stages and making sure not to let it drip onto the underneath of the cake. Smooth everything over as much as possible, then use the side of your spreader to mark lines across the top in a criss-cross pattern. Go in opposite directions for each line to get the best effect.

Pop the cake in the fridge to set, then serve with pride.

Thanks and credit are due to my culinary guru Nigella Lawson whose baking bible How to Be a Domestic Goddess proved an invaluable resource in the development of the Giant Jaffa Cake.

A Drunk in a Midnight Choir

“Like a bird on a wire, like a drunk in a midnight choir, I have tried in my way to be free” Leonard Cohen

As a devout young choir girl (head chorister no less), I used to take umbrage at the hoards of ‘Christmas Brigade’ punters who would rock up at midnight mass having not seen the inside a church all year except possibly for weddings, Christenings and funerals. It seemed unfair that I should be there every Sunday doing my bit while they just got to saunter in for the fun part once a year. Little did I imagine that one day it would be me rolling drunkenly into the back pew for a sing-song on Christmas Eve.

But why would a confirmed agnostic/pantheist indulge in such institutional religious rites? A sentimental attachment to old times is partly to blame - my spiritual life may no longer be tied to the church, but I still find immense comfort in the traditions and surroundings that were such a big part of my childhood and early adulthood.

The other main attraction is the music. Having been trained and immersed in it for so many years, my singing voice comes alive to sacred music, particularly the good old Christmas carol. My heart does not belong to Christmas until I have belted out the soaring descant to Oh Come all Ye Faithful by candlelight. The past few years I have been exercising my lungs on Christmas Eve at our local church, St George’s in Kemp Town, where I get an extra thrill from knowing that some of my favourite performers have also sung there. But it’s not just about sentiment and singing.

Christianity may have appropriated many of its festive traditions from the Pagans and Romans, but Christmas is Christmas now (not Yuletide or Saturnalia) and there’s no getting away from it. So whether you believe in Jesus or not, it only seems fitting to pay one's respects to the tradition that gives us that precious time off work to argue with family, max out our credit cards and over-indulge on rich food and booze.

Joking aside, I may not be religious but I am a sucker for tradition and ritual and there’s nothing like candlelit mass for conjuring ceremonial magic and summoning the festive spirit (figuratively speaking of course). So call me a hypocrite, but come Christmas Eve I’ll be there giving it all I’ve got in my once a year pseudo-spiritual seasonal devotional. And pious choir girls, please don’t hate me for it.

*******

Nothing to do with midnight mass but suitably festive, the above video is from this year's Wainwright/McGarrigle family Christmas show, 'A Not So Silent Christmas' at the Royal Albert Hall. I recommend the CD or DVD of the occasion as excellent festive listening and have also picked out a few other favourite alternative Christmas albums for fellow music lovers. Enjoy...

Sussex Gastro Pubs Series: The Lewes Snowdrop Reborn

Lately I've been trying to expand the circuit of pubs, cafes and restaurants that we frequent, rather than sticking to the same old places. There have been a few good discoveries this year, though I'm afraid we haven't branched out as much as I'd hoped. So last Sunday, in an attempt to broaden our horizons before the end of the year, we re-visited an old haunt that had gone gradually downhill in recent years but was reported to be back on form.

The Snowdrop in Lewes was a favourite back in my Sixth Form college days, when it was a bit of a crusty/biker/wicca hang-out, serving hearty vegetarian food and pints of Snakebite and black. I hadn't been for years until I started working down the Cliffe end of Lewes earlier this year and popped in to find it a shadow of its former self and barely able to scrape together a sandwich, let alone a decent Sunday lunch. I am delighted to say that this sorry situation has now been rectified by the pub's latest landlords, who have restored the place to its former glory - albeit with a few (pleasant) changes.

In place of the old bric-a-brac stage-set style decor, the inside of the Snowdrop now sports an array of homely canal boat style furnishings, while the exterior has been painted in a fetching shade of pale green. It is back to being a freehouse for the first time in ten years, serving an impressive range of local ales, Bavarian beers and posh ciders on tap, as well as a good selection of bottled booze.

But the most exciting development at the all-new Snowdrop is the all-new menu. The veggie roast I had there on Sunday was one of the best I've ever eaten at a pub - only my own home cooked roast would top it, and even then it would be a close thing. The nutroast was moist and flavoursome and packed with tasty ingredients like capers and sunflower seeds. There was a wide selection of veg including red cabbage, parsnips, peas, broccoli, roast potatoes and cauliflower, all cooked to perfection and packed with flavour. The only (very slight) criticism I could possibly raise was that I would have liked more of the delicious gravy - but then that is probably just me being greedy.

At most Sussex country pubs you'd wait at least half an hour, sometimes up to an hour, for Sunday lunch. Ours came in about ten minutes, even though the place was bustling. Unlike the previous landlords, the staff were friendly and chatty and justifiably proud of their efforts to transform the pub from seedy dive to cosy gastropub.

I'm looking forward to going back to the Snowdrop again for the C&M Christmas lunch next week, when hopefully I'll get to see what the upstairs looks like these days. Let's just pray that my colleagues behave themselves during the festivities, because I'd hate to get barred so soon after re-discovering this once again fabulous joint.

Another Year, Another Mixtape: The Annual Christmas Compilation

With the end of every year comes a string of essential rituals - some imposed by religious and historical tradition, some of our own making. For me one of the best year-end ceremonies is to sit down between Christmas and New Year's Eve to go through all our photographs from the year and put the best ones into an album - something we've been doing as a couple almost since the beginning.

Another rather more self-indulgent custom is the making of the annual 'Ant & Ro' CD - a compilation of our favourite and significant music from the year, usually dominated by bands we've seen live. These are distributed to friends and family who visit over the festive period and sometimes posted to other musically minded comrades.

As our tastes have grown more and more eclectic over the years, it's become trickier to compile a fluent mixtape of accessible music. Whilst my motivation is to share cool new discoveries and inspire musical exploration, I appreciate that not everyone cares as much as I do for the more esoteric Freakzone-ish end of the listening spectrum.

A couple of days ago I started thinking about this year's mix and jotting down some ideas for what might go into it. The hardest part has been whittling it down to just one CD's worth of tunes, from what has been an outstanding twelve months of musical enlightenment; what with four festivals and plenty of local gigs in between, my musical cup literally floweth over with bands that I want to shout about.

The other difficulty is actually tracking down recorded versions of unsigned material, which usually involves various emails to band members and ordering homemade CDs recorded in bedrooms and sold from dubious looking websites, hoping that they'll materialise. But this is all part of the ritual, and gradually the mixtape has started to take shape. It's not 100% finished yet, but what with the impending festive frivolities, I may not get another chance to share my annual compilation here.

The above YouTube playlist contains all the tracks that I could find in a reasonable format, but by the nature of the platform is of varying quality. Below is a complete tracklisting with download links and an Amazon preview widget that lets you listen to snippets from each song (if you want to hear more, go to the band website). The only one missing from the widget (because it's not available from Amazon) is Quack Quack, which I strongly recommend you listen to here (but only if you are into rambling energetic contemporary prog).

Ant & Ro 2009
1) Charlie Darwin by The Low Anthem from the album Oh My God Charlie Darwin
2) There is No Light by Wildbirds & Peacedrums from the album The Snake
3) Purée Hiphop by GaBlé from the album 7 Guitars with a Cloud of Milk
4) I Always Hang Myself with the Same Rope by Birdeatsbaby from the album Here She Comes-a-Tumblin'
5) Stone in my Shoe by Boo Hewerdine from the album Toybox no.2
6) The Wanting Comes In Waves/Repaid by The Decemberists from the album The Hazards Of Love
7) No Flies On Me (Ballad Of The Jam Head) by The Witch And The Robot from the album On Safari
8) Black Tambourine by Thomas Truax from the album Songs From The Films Of David Lynch
9) Kathy Ray by Joe Gideon & the Shark from the album Harum Scarum
10) Beggar's Prayer by Emilana Torrini from the album Me and Armini
11) Boat Behind by Kings of Convenience from the album Declaration of Dependence
12) Manty by Sebastien Tellier from the album Sexuality
13) Frida Found A Friend (Live) by Efterklang from the album Performing Parades
14) In the Upper Room: Dance V by Philip Glass form the album Dancepieces
15) Aeon by Antony & the Johnsons from the album The Crying Light
16) Mars by Quack Quack, available from Run of the Mill Records
17) Night Terror by Laura Marling from the album Alas, I Cannot Swim
18) Join the Dots by Tim and Sam's Tim and the Sam Band with Tim and Sam from the album Put Your Slippers On

If you would like a copy of the final CD, leave me a comment and I'll see if I've got one spare at the end of the festive season.

The Best of Breakfast in Bed

I was reading the latest post on Simon Hickson's excellent blog, Mummified Fox, when the idea struck me (or rather, I shamelessly stole it) to do a roundup of my favourite posts from the last four years of my own blog. I set up Breakfast in Bed around this time of year in 2005 and finally got round to publishing my first post in January 2006. It makes me slightly sad to think of all those stories languishing in the archive, so I have compiled a list of what I consider to be the best ones in the hope that they will be read and enjoyed once again. So without further ado, here they are:

March 2006 - I Love Taj. A hymn to my favourite Brighton food shop.

May 2006 - Neil Innes at Komedia. One of the first ever Breakfast in Bed gig reviews, this write-up was also published (in a slightly edited version) in the Independent.

May 2007 - Djinn of the Tin. A bizarre and very Brighton episode in which I acted the part of genie to a random stranger via SMS.

August 2007 - Thoughts Like Bubbles. How I went from melancholy to philosophical to down right jolly all in one day through the power of people watching.

January 2008 - An Obsession Explored. A classic fancy dress adventure with me as Karen Carpenter and a look back at how the whole costume fetish began.

February 2008 - Life Through a Lens. My journey from film to digital photography.

July 2008 - A Cup of Tea and a Cake. Some of my favourite places in the world to go for a freshly baked bun and a brew.

November 2008 - A Smile Restored. The end of a fairly miserable and physically painful chapter of my life.

May 2009 - San Francisco, You Stole My Heart. Bit of an epic this one - all about our wonderful holiday in California.

August 2009 - Bring Back Trevor & Simon. A gleeful "welcome back" to my ultimate comedy heroes, whose genius podcasts have been tickling me rotten these last few months.

September 2009 - A Sparkly, Spangly Place. The best music festival of 2009 was undoubtedly End of the Road. Good food, great company, outstanding music and sparkly woodland groves made for a brilliant finale to the summer.

So that's it - some of the highlights from an eventful few years as brought to you by Breakfast in Bed. Thanks for reading and do stay tuned for further adventures coming very soon.

A Family Holiday in Brittany

When you are five, life is a confusing mix of alluring fantasy and half-learned reality. Little wonder then that until witnessing proof to the contrary, my little nephew was convinced that sharks did not exist - a fact about which he corrected me repeatedly whenever the subject was raised. Presumably he perceived them as a mythological creature in the realms of dragons and unicorns - the likes of which he is now emphatically grown up enough to refute.

It was the most charming experience to observe my nephew's little face as we entered the shark tank at Saint-Malo Grand Aquarium during a recent holiday in Brittany. "Wow" he exclaimed - much as one might upon encountering a real live pixie during a walk in the woods - "sharks really do exist". The magic of the moment was magnified by its resemblance to a certain scene in The Box of Delights in which the hero Kay Harker (played in the classic 80s BBC version by my nephew's father, my brother Devin) cries "A phoenix! I've really seen a phoenix!"

This was one brilliant moment in a holiday full of memorable firsts: for us, the first time taking Isaac away, for him the first time properly abroad (Guernsey family trip notwithstanding), plenty of new foods sampled and the beginnings of new language skills introduced. It was a completely different kind of holiday for Ant and me, who usually spend our days thinking about where to eat in the evening and our evenings eating and drinking too much. Because there was no chance of a lie in and I was struggling with a grotty cold for the first few days, we tended to be tucked up in our four poster with a good book before 10 o'clock.

The medieval cottage we rented in Dinan - much like the town itself - was like something out of a fairy tale. A huge stone fireplace, crooked beams and a rugged spiral staircase all made for a wonderful atmosphere that infused our days and nights. Isaac was in awe of his huge attic playroom and looked tiny curled up in the corner in his bed at night. Apart from the odd drunken student staggering loudly back towards the Youth Hostel at night, it was serenely quiet - despite being in the heart of town. I relished the lack of television and internet connection which gave us the rare opportunity to actually read books and have lengthy conversations.

Besides the awesome aquarium adventure, we explored many of Brittany's other delights including Dinan's castle ramparts and picturesque riverside, the sprawling sandy beaches of Saint-Malo and Dinard and the rockier coast further West. Isaac seemed to grow in confidence as the days went on - swinging form the trees in a fantastic adventure park, clambering over rocks at the seaside, ordering his own pudding - 'une glace du chocolat' - in French at a restaurant and steering the little motor boat we hired to explore the river. There was so much inspiration in the way of castles and knights and boats and pirates and the like, that we barely heard mention of the dreaded Spiderman or Optimus Prime and instead fostered Isaac's growing interest in all things Asterix.

While we were entertaining their Son across the Channel, Isaac's mum and dad (my brother and his girlfriend) were enjoying their first holiday away alone since he came along - in the pictureqsue but apparently sodden Isle of Mull. So I like to think I can take at least part credit for the engagement that ensued as a result of this rare romantic break - about which you can read here. Congratulations to the future Mr & Mrs Stanfield - and thanks for the loan of your boy, he really was a treat.

Kings of Convenience at the De La Warr Pavilion

Last week Ant and I went one of our rare midweek semi-spontaneous date nights, to go and see Kings of Convenience at the De La Warr Pavilion in Bexhill. Unless you have seen the De La Warr, you may wonder why on earth any band would choose to perform in Bexhill of all places, but even before you step inside this striking Art Deco building, you start to appreciate the draw. Ever since its refurbishment in the early noughties, the De La Warr has been attracting illustrious artists from Goldfrapp to the Penguin Cafe Orchestra and is well worth the 45 minunte trip from Brighton.

Kings of Convenience may not be the most challenging of bands, but they win the prize in my eyes as the most soothing; their dulcet harmonies and expert intricate guitar playing are the musical equivalent of morphine. Way back when Ant and I were first living in Brighton we would often kick back with a glass of red and wind down from the trials of London commuting to their 2001 debut album, Quiet is the New Loud. It's up there with Ben & Jason's Emoticons (just available on Spotify by the way) as a sentimental classic of our 'early years' together.

It felt very special to finally see Kings of Convenience live and in such an atmospheric - and acoustically blessed - venue. The band were in good spirits all evening, playfully bantering between songs and telling us tales of their early days and first ever gig in East Sussex. With their permission I captured the above video snippet which - even though it is only recorded on a basic point and shoot - reveals something of their musical artistry. For the full experience, you will have to go and see them for yourselves.

The new Kings of Convenience album, Declaration of Dependence, was released in the UK this week.

I Am a Shooting Star: a Spaced Out Sci Fi Party

Ever since the Green Man Festival 2007 I've been trying to track down a song called 'I am an Astronaut', played in the dance tent there by Pete Fowler of Monsterism fame as the final track of his stormingly groovy DJ set (to which I can be seen dancing here).

All I could ever find, though, was a downbeat version by Snow Patrol which you'd never want to play at a party (unless you wanted people to leave). I managed to determine that the original was by Ricki Wilde (younger brother of Kim) and was originally recorded in the 70s - but never actually found anywhere to download or buy it.

When we decided to throw a space themed party for my birthday this year, I knew I had to include the song in my DJ set, and renewed my quest in earnest. With a little more online know-how and some purposeful determination, I eventually found it.

The 'Spaced Out' theme inspired some of the best costume efforts I've ever seen amongst my friends, and with the addition of a robot dancing competition, a superb Clangers cake (made by my talented sister), a screening of the legendary Turkish Star Wars and some out of this world live music from St Anthony's Fire, it truly was a night to remember.

Finally spinning the tune I've been dreaming about for the last two years, I watched affectionately from behind the decks as my drunken amigos stumbled around in a cloud of glitter, hugging each other in that end of the night "you're brilliant, no you're brilliant" way. I like birthdays.

A Spangly, Sparkly Place: The End of the Road Festival 2009

It's not often you leave a music festival feeling perkier than when you arrive, but that's exactly what happened to me at the End of the Road festival last weekend. Unfortunately, this wasn't anything to do with the reviving qualities of the festival, but more due to the fact that I'd only had three hours sleep the night before it started. I'd had a brilliant evening on Thursday at Brightwest II, playing 'Murder She Twote', chatting to the assembled Twitterati and knocking back a pint or five of ale at the Black Lion. How on earth we went from this relatively civilised gathering to a seedy all-nighter in the Bulldog (I know!) is anyone's guess . It must have seemed like a good idea at the time; not so much when the alarm went off at 7am the next morning.

"How much muesli does one man need?"
Steve, upon arriving at the End of the Road Festival armed with a mountain of cereal

But the End of the Road was calling (in so many ways) and I had other people relying on me to get them there too. I'd planned on having a disco nap when we arrived in Dorset, but as it turned out, it was all far too exciting. Set in the picturesque Larmer Tree Gardens, the End of the Road Festival is now in its fourth year, and fast gaining a reputation as the serious music lover's festival. Some would call the line-up alternative, I'd say fundamental. Much to my own personal delight, End of the Road is largely a festival for chin-stroking, album-buying, real ale-drinking DINKYS and empty nesters, with only the occasional obligatory festy crusty and over-excited tween.

"Do you consider yourself worthy of a poetic license?"
Paul, to me, sometime in the early hours of Saturday morning.

There were so many highlights during the weekend that it would be hard to boil them down into a single readable blog post, but a few bands stood out in terms of atmosphere and sheer accomplishment. The one I'd been most excited about was the Low Anthem, who I'd discovered back in May at the Great Escape Festival and have been raving about to anyone who'll listen ever since. I was extra thrilled when it turned out they were playing not one but two sets during the weekend.

"Unless it's cake, it can f**k off"
Matty, on my aversion to brandy other than in pudding

The first Low Anthem gig was in the smallest venue - the Tipi tent - which looked cute from the outside, but turned out to be a terrible space for live music. Despite persistent sound problems and noise pollution from the neighbouring tent, Low Anthem appeared composed as they delivered an intimate set, mostly of their more obscure material. But it wasn't until their second gig on Saturday that the band really shone, bringing a packed out audience at the Garden Stage to its metaphorical knees. I've never heard a quieter field of festival goers as in between songs during the Low Anthem's End of the Road performance. Rapturous applause gave way to mesmerised silence after each song as we all eagerly awaited the next. So many other bands get by on catchy tunes and adequate musicianship, that it's impossible not to be affected by the sheer arresting intensity of the Low Anthem's immense talent and potent delivery.

"In the light, I can tell when people's eyes are glazing over"
Nick, on our general inability as a group to pay attention

Efterklang came in a close second as most enjoyable set of the weekend with their uplifting New Wave tinged Post Rock. Not many of the bands I went to see were particularly danceable, though I did have a silly strut about to Herman Dune and hurt my neck moshing to The Heavy. With a choice of four different stages, plus the odd spontaneous gig in the woods, it was sometimes difficult to choose where to park yourself. I tended to wander round until something caught my ear and then stick with it. Out of all the festival's venues, The Local (curated by esteemed promoter Howard Monk) yielded the most exciting new discoveries, including my final band of the weekend, Quack Quack, who succeeded in fulfilling my (quite vocal) craving for a prog fix.

"Behave, or you'll get turned into sausages"
Linda, getting all teacherly on us

I was also really taken with Wildbirds & Peacedrums, who can only be described as 'Drum n Blues' - the set up being a female bluesy singer accompanied only by drums and various percussion noises. Her powerfully husky voice was enough to carry the lack of any other instrumentation, and I have not seen such fervent drumming since the Muppets. A namecheck must also go to Faceometer and his friend the Dapper Swindler, whose unofficial woodland jamming kept us all enthralled, and distracted me from the disappointment of being told not to climb trees by security. To be fair to security, they were pretty laid back in their fun-spoiling, even in the face of my loud protestation: "I climb trees all the time when you're not here. There's no law against climbing trees." All power to Nick for beautifully diffusing the situation, and winning a bet at the same time, when he offered the guy in question £50 to dance the Can-Can for him.

"You're my best sparkly forest band I've ever seen"
Michael, to Faceometer and the Dapper Swindler

It was exactly this kind of jovial, conspiratorial atmosphere that kept everyone smiling at the End of the Road and made it so easy to make new friends along the way. The lack of Hippy Shit and abundance of excellent food and ale also helped a lot. I sincerely hope the organisers are never tempted to increase the capacity, because it felt nicely intimate at the 5,000 mark. I came away feeling as though I'd shared a special moment with a chosen few, and I like that feeling very much. More of the same next year, please.

More End of the Road photos by Rowstar on Flickr