Breakfast in Bed is the everyday adventures of Rowan, aka @Rowstar, writing about adoptive parenthood, outdoor adventures, food, live music and other favourite pursuits.
More than photos, diary entries or spoken anecdotes, music is the most dependable keeper of memories; a song has the power to conjure a lost moment from the dusty archives of the heart and brain, bringing it into vivid life once more. For the last few years I have made an annual compilation of the music that has punctuated the year, to share with friends and for my own posterity. Looking back at each mix, I can tell a lot about the happenings of any particular year and the sort of mood I was in.
On the first day of 2011, here are my favourite and most poignant songs from last year - each holds a memory or moment and all were released in 2010. There seems to be a prevalence of ethereal female artists, muddled with a generous helping of proggy post-rock and the occasional splash of cheesy electro. I don't know what this says about my mood, but it was certainly a year of ups and downs. As I sit here in my new house (house!) suffering the after effects of too many prosecco and mead cocktails last night, it feels like a fitting soundtrack.
I hope you'll enjoy my playlist and perhaps treat yourself to one or two of the most excellent albums from which these songs come. I heartily welcome your own recommendations of 2010 musical discoveries and favourites, too.
Have you heard about Twestival? It's a global Twitter meet-up that happens every six months or so in hundreds of cities around the world.
At the first Twestival a year ago, I didn't really know anyone except my other half (aka @meeware) and my then brand new boss (aka @rogerwarner) - whose presence ensured that I remained sober and sensible for the duration. It all felt a little cliquey but I met a couple of cool people and it led to some fruitful online conversations in the following months. I did a little write-up of Twestival 1 on the Content & Motion blog if you're interested.
Twestival 2 was a whole different kettle of fish. @meeware was away and I'd ditched the 'no drinking in front of the boss' policy. There were quite a few more familiar faces, if only recognisable from their Twitter avatars. There was role play and murder mystery which really broke the ice and got everyone out of their cliques.
After an excellent night of non-stop ranting and a fair bit of dancing, I ended up at the infamous Bulldog pub (of all places) until four in the morning with a gaggle of hardcore Twitter reprobates. Classy. The picture on the right (by Clive Flint) shows me pulling a classic "I'm not at all drunk, oh no, not me" face, about half way into the evening. Thank goodness there are none from later in the night.
Tomorrow night (Thursday 25th) it's time for Brightwest 3, I'm going with a whole crew of recently converted Twitter cohorts and am all set to DJ - I just hope the Brighton Twitterati are ready for my eclectic selection. This time there's a Speakeasy theme and we're being encouraged to dress up, as if I needed persuading.
“Like a bird on a wire, like a drunk in a midnight choir, I have tried in my way to be free” Leonard Cohen
As a devout young choir girl (head chorister no less), I used to take umbrage at the hoards of ‘Christmas Brigade’ punters who would rock up at midnight mass having not seen the inside a church all year except possibly for weddings, Christenings and funerals. It seemed unfair that I should be there every Sunday doing my bit while they just got to saunter in for the fun part once a year. Little did I imagine that one day it would be me rolling drunkenly into the back pew for a sing-song on Christmas Eve.
But why would a confirmed agnostic/pantheist indulge in such institutional religious rites? A sentimental attachment to old times is partly to blame - my spiritual life may no longer be tied to the church, but I still find immense comfort in the traditions and surroundings that were such a big part of my childhood and early adulthood.
The other main attraction is the music. Having been trained and immersed in it for so many years, my singing voice comes alive to sacred music, particularly the good old Christmas carol. My heart does not belong to Christmas until I have belted out the soaring descant to Oh Come all Ye Faithful by candlelight. The past few years I have been exercising my lungs on Christmas Eve at our local church, St George’s in Kemp Town, where I get an extra thrill from knowing that some of my favourite performers have also sung there. But it’s not just about sentiment and singing.
Christianity may have appropriated many of its festive traditions from the Pagans and Romans, but Christmas is Christmas now (not Yuletide or Saturnalia) and there’s no getting away from it. So whether you believe in Jesus or not, it only seems fitting to pay one's respects to the tradition that gives us that precious time off work to argue with family, max out our credit cards and over-indulge on rich food and booze.
Joking aside, I may not be religious but I am a sucker for tradition and ritual and there’s nothing like candlelit mass for conjuring ceremonial magic and summoning the festive spirit (figuratively speaking of course). So call me a hypocrite, but come Christmas Eve I’ll be there giving it all I’ve got in my once a year pseudo-spiritual seasonal devotional. And pious choir girls, please don’t hate me for it.
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Nothing to do with midnight mass but suitably festive, the above video is from this year's Wainwright/McGarrigle family Christmas show, 'A Not So Silent Christmas' at the Royal Albert Hall. I recommend the CD or DVD of the occasion as excellent festive listening and have also picked out a few other favourite alternative Christmas albums for fellow music lovers. Enjoy...
