





Loads more photos of The Great Escape, and other Brighton Festival happenings, are on my flickr page at: www.flickr.com/photos/rowstar
Breakfast in Bed is the everyday adventures of Rowan, aka @Rowstar, writing about adoptive parenthood, outdoor adventures, food, live music and other favourite pursuits.






The Caesar Twins, Udderbelly,
Last year’s La Clique at the gloriously decadent Spiegeltent was undoubtedly the highlight of my 2006 Brighton Festival (see my previous blog Beautiful Freaks), and remains the subject of fond reminiscences among the group friends with whom I went. The combination of a uniquely atmospheric venue and a quirky mix of sideshow cabaret acts - all held together with a mutual sense of twisted eccentricity – appealed to my theatrical heritage, and sparked an interest in the Burlesque scene, which has since led me onto other events such as Lost Vagueness. Sadly, both the Spiegeltent and La Clique are conspicuously absent from this year’s festival - the former being replaced by a giant upturned purple cow, The Udderbelly, which is currently dominating the Steine gardens along with a collection of smaller animals. One of the acts appearing at this unusual venue is The Caesar Twins – a Polish acrobatics outfit (& yes, they are really twins) who have previously toured as part of La Clique (though not when I saw it), and were recently described by the The atmosphere in the beer tent beforehand was somehow enhanced by the inclement weather outside - as the usual festival suspects huddled together round the gas heaters, leaving it ‘til the very last minute to dash across the muddy gardens and into the colourful bovine arena. Rather letting down its strikingly wacky exterior, the inside of the Udderbelly is disappointingly underwhelming – especially in comparison to its lavish predecessor. This may partly account for the general lacklustre vibe of the show itself. It’s amazing how much the context can contribute to the overall experience of a performance – and this was a prime example. The acrobatic feats themselves were indisputably astounding, even at times arousing, but as a production it lacked the drama and atmosphere of La Clique. Theatre critic Lyn Gardner put her finger on the problem when reviewing the show for the Guardian last year, rightly observing that: “what has a big wow factor in small doses in cunningly produced shows such as the knowingly naughty La Clique, looks mighty thin when stretched to 80 minutes in a traditional theatre”.
Despite my artistic reservations, I couldn’t say I was ever actually bored during the performance. There were some interesting (if not particularly well executed) ideas in place, and I found the whole set-up intriguing from a psychological perspective – closely contemplating not just the (frankly, fucking hot) bodies of Pablo and Pierre, but the intricacies of their twin-ship, and the way in which it evidently affects their onstage relationship - both physical and otherwise. This was reinforced by various photo and video montages of their lives together – from childhood gymnastic tournaments, right up to a near-fatal accident in which Pablo fell 40ft from the ‘Wheel of Death’ during a live performance in 2002. These more serious elements were balanced out by some welcome moments of humour, such as a cheeky stunt in which one of the twins cunningly flicked off his trousers mid-backflip, whilst bouncing on a giant inflatable mattress (kind of like a bouncy castle without sides). This saucy manoeuvre had most of the girls in the audience instantly shedding layers of clothing and fanning themselves, while the menfolk shuffled in their seats, self-consciously contemplating their paunches. A torrent of giggling girls in the ladies’ loo afterwards was testament to the rousing effects of this dextrous duo – perhaps best summed up as the thinking woman’s answer to the Chippendales…
In between drinking gallons of ale (my new favourite tipple), buying a purple steston and some matching converse trainers, grooving to swing at a working men’s club in the
‘Oh Genie of the Tin, I will honour the wish that you have granted. I would now call upon your infinite wisdom to ask, are all love stories the same? And what should I serve for dessert this evening?’
Great Escape, 14th-17th May,
As Brighton resident, Great Escape offers me the chance to take in 3 days of top bands in my home town, get a good night's sleep in my own bed, take a hot shower every morning, and even pop home to use the loo without having to wade through muddy fields to do so... ah, bliss! So I had to include this civilised urban festival option which, even if you don't live in
Latitude, 12th-15th July,
Billing itself as 'More Than Just a Music Festival', Latitude started in 2006 and was widely praised for its alternative take on the usual festival set-up - offering a variety of activities beyond the standard music and stalls combo. Set in the bucolic surroundings of the historic Henham Park in Suffolk, Latitude promises a relaxing rural vibe in which to take in these eclectic diversions, which include literature, comedy, theatre, cabaret and children's activities as well as an impressive bands line-up – this year topped by the hottest hipsters of the musical moment, Arcade Fire. Having been bowled over by their performance in London last month, their presence alone would be enough to tempt me Suffolk for a second sampling, but I have a feeling that ‘The Fire’ will just be the icing on what looks to be a very tasty cake of a festival. And if AF is the icing, then Dylan Moran, who I have just heard will be playing the comedy arena on the Saturday, will be the shambolically sharp Irish cherry on top.
The comedy tent at Latitude 2006
The Green Man, 17th - 19th August,
Also set in a beautiful countryside location, Green Man is essentially a folk festival, but stretches the boundaries of this genre in its eclectic line-up - with everything from folkatronica to folk-rock on offer. Last year I discovered Archie Bronson Outfit (who are now one of my favourite contemporary bands), and with 3 stages - all within easy walking distance - there is no excuse for not expanding one's musical horizons by taking a chance on new and unfamiliar bands. The general vibe is chilled and respectful, with lots of families - and children running about happily amongst the friendly, un-threatening crowd. A myriad of global culinary treats on offer puts the usual festival burger and noodle bars to shame, and the condition of the conveniences remained refreshingly salubrious in comparison to my distressing
Marshmellow, 24th-26th August, Somewhere in
I only just came across this low-key local festival, when a flyer was thrust into my hand whilst at a Rock Karaoke/Can Can night (don't ask) in
Bestival, 7-9th September,
The first thing that attracted me to Bestival was the massive fancy dress procession which takes place on the Saturday night, that and the fact that it has to be more appealing than the island's other uninspiringly mainstream festival earlier in the summer, which, frankly, left me cold last year. I've only heard positive things about Bestival from friends who’ve been, and I’m hoping to judge for myself this year. So far the line-up doesn't particularly appeal, but this will only force me to be more adventurous in my choices of bands, and hopefully come away with some new gems - always a big plus of festival-going in my experience.
All this festy talk is making me come over all giddy with anticipation – still, at least I’ve only got 3 weeks to go until the first one on my hitlist, and I don't even have to dust off the wellies for it... result!
Nick Sheldon, 2007
If only I had been carrying a notepad with me in which to record the many inspired, insane and occasionally profound utterances of my friends over the last few days, I would have enough material for my own (admittedly, surreal) stand-up show. Not that there’s ever a shortage of witty banter amongst my social group, but this weekend’s spontaneous assemblage afforded some of the most quotable yet. I discovered Nick’s immortal words scribbled in my barely legible handwriting on a piece of paper in the garden this morning, having no recollection of writing them or indeed of the context in which they were spoken (perhaps Nick or Harry can help me out?).
It all kicked off on Thursday, when a quick drink after work resulted in accidental tipsiness and the drowning of sorrows between a few emotionally fragile friends, or as we’re now calling ourselves “The Fuckest-Uppest Club”. Then on Friday, Mat arrived back in Brighton with Erika, his visiting Californian friend - who shares with me a penchant for showtunes and sarcasm - and soon there was singing in the street and bonding over chocolate martinis. After a suitably robust hangover brunch in the garden on Saturday morning, the three of us spent the day soaking up the sun on the beach, catching up with other friends, and consciously staying sober (on my part, in an attempt to avoid a repeat of last weekend’s beer-bender-fuelled antagonisms). A highlight of the day was a tour of Embassy Court - the recently refurbished art-deco building on the seafront (previously referred to as ‘
A quick pint at the Barley Mow was followed by a session at the (not nearly so nice) Sidewinder, at which virtually everyone I know in
© Rowan Stanfield, 2006-2009
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